Two students dedicate their passion to reinvigorating traditional Khmer dances

IN BRIEF

  • Momvan Davin And Rith Daro, two students from the Royal University of Fine Arts, are dedicated to the revival of traditional Khmer dances.
  • Work on the lakhon ape and the yike, little-known forms of musical theater.
  • Passion for transmitting and preservingcultural heritage Cambodian.
  • THE lakhon ape has enjoyed a revival since 1991, but performances remain rare.
  • Participation in events such as Water Festival to revitalize these arts.
  • Focus on quality and loyalty to traditions while innovating in presentations.
  • Call for youth and to the public to support these ancestral arts.

In a constantly evolving world, where modernity sometimes seems to overshadow traditions, two motivated students, Momvan Davin and Rith Daro, embark on an exciting adventure: reinvigorate traditional Khmer dances. Through their dedication and enthusiasm, they seek to revive ancestral art forms such as lakhon ape and the yike. This mission, far from being simply artistic, embodies a strong desire to preserve and transmit a rich and vibrant cultural heritage, while arousing the interest of new Cambodian generations.

Momvan Davin and Rith Daro, two young Cambodian students, are actively committed to revitalizing the lakhon ape and the yike, two traditional Khmer dances often forgotten. Thanks to their passion, their innovative approach and their desire to transmit this cultural heritage, they hope to inspire new generations to discover and celebrate these ancestral artistic forms.

An encounter with cultural heritage

At 24, Davin and Daro study atRoyal University of Fine Arts. Their love of traditional arts led them to explore the lakhon ape and the yike, two disciplines which represent the very essence of Khmer culture. By combining thetheatrical performance with elements of dance and of music, these young artists wish to revive forms of artistic expression that have suffered over the years.

The yike: a musical theater rich in colors

THE yike, a popular theatrical tradition dating from the 19th century, gives pride of place tointeraction between singing, dancing and music. It finds its roots in the traditional tales, often inspired by Jatakas, the stories of the life of the Buddha. By revisiting this art form, Davin and Daro seek to inspire the public while conveying moral teachings and religious through live performances.

The lakhon ape: captivating dance theater

At the same time, the lakhon ape represents another facet of this cultural renaissance. This form of dance theater is distinguished by its vibrant costumes and stories drawn from the rich Khmer heritage. The artists immerse spectators in captivating stories, mixing popular theater And classical dance, thus allowing everyone to feel the diversity of Cambodian art. The duo Daro and Davin, by highlighting their expertise, hope to rediscover these works to the general public.

A contagious passion

By maintaining an infectious passion for these art forms, Davin and Daro are convinced that transmission of these traditions can truly establish a connection deeply with young Cambodians. During their performance at Water Festival, they had the chance to breathe new life into iconic characters such as Tevoda Kageng Kagang. For Davin, it was incredible to see audiences rediscover characters they had never seen on stage before.

Challenges to overcome

However, reinvigorating traditional dances is not a path without obstacles. Daro shared his concern for the preservation of historical documents essential to art. “Some have been lost over time, and we often have to juggle what we have on hand, while relying on our mentors to fill in the gaps,” he says. This concern for preservation also comes with financial challenges, forcing some artists to seek alternative means of financing their studies while dreaming of performances.

A call for collective commitment

Despite the challenges, Davin and Daro’s team demonstrates contagious optimism. They emphasize theimportance of the public’s growing interest in traditional dances. They encourage parents to introduce their children to these arts, hoping that the curiosity growing will serve to perpetuate Khmer culture. By mixing modernity and traditions, they also aim to reach a wider audience through innovative creations.

With sustained efforts, these students dream of doing lakhon ape and of yike an integral part of living culture in Cambodia. An engaged and passionate community could write a new chapter in the history of traditional Khmer dances.

To learn more about Cambodian dances, check out this article fascinating about their history and cultural significance.

To discover other initiatives to promote traditional dance in Cambodia, visit this site.

Finally, feel free to explore more about the importance of dance as a link, by checking out this article.

FAQ on the revival of traditional Khmer dances

What is the goal of Momvan Davin and Rith Daro? They want to reinvigorate the lakhon ape and the yike, traditional Cambodian dances, attracting the interest of younger generations.

What is yike? The yike is a form of musical theater Cambodian, incorporating singing, dancing and traditional instruments. It is often based on tales from the life of the Buddha.

What is the lakhon ape? The lakhon ape is a form of dance theater where performers, in traditional costumes, tell stories of Khmer cultural heritage while combining classical dance and popular theater.

What is the significance of these arts for the two students? Davin and Daro believe that these arts embody the soul of their culture and wish to arouse the interest of young Cambodians in their preservation.

What challenges do they encounter in their approach? They face obstacles such as lack of resources and financial constraints, sometimes making their mission more difficult.

How did they bring the lakhon ape back to life? During the Water Festival, they performed emblematic characters, arousing interest and the rediscovery of these dances by the public.

What is their vision for the future of traditional dances? They hope to attract a wider audience creating innovative performances while transmitting educational messages.

How do they encourage young people to take an interest in traditional dances? They encourage parents to introduce these arts to their children so that they become an integral part of their culture.

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